Sony Rep Discusses the SLT-A58, NEX-3N, New Lenses on Camera Diner

This entry is part 3 of 3 in the series Photo Equipment

It’s quite interesting to actually see the SLT-A58 in “person”. There are certainly some great innovations in the camera, especially for video shooters and beginners. I still think that for an advanced amateur or enthusiast, the SLT-A57 is the better camera at that price point.

The interesting part of the “kit” to me is the new 18-55mm lens. I haven’t had the greatest of luck with the previous version of the lens, and I find it very susceptible to lens flare. The new version of the lens apparently has a new rear element (presumably with better coatings) to reduce the flare issue. Good news there.

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Sony’s New SLT-A58 Could be a Step Backwards

This entry is part 2 of 3 in the series Photo Equipment

A couple of days back, I wrote that Sony had announced their replacement for the SLT-A57. Called the SLT-A58, it initially looked as if the camera was made just for me! But, as official specs come forward, it appears that the camera could be a bit of a disappointment, as compared to the current model.

While the SLT-A58 gains the OLED EVF found on the higher-end SLT-A65, SLT-A77 and SLT-A99 models, and gets a resolution boost and slightly improved autofocus system, Sony have chosen to reduce specs in other areas.

Most notably, the rear LCD screen has been reduced from a 3″, 921,600 pixel display to a 2.7″, 460,000 pixel screen. Even my entry-level SLT-A35 has the better 3″ “XtraFine Tru-Black” display.

The screen isn’t the only downgrade, either. Here are a few other highlights — or rather, lowlights:

  • The new camera forgoes Sony’s traditional metal lens mount in favor of composite plastic.
  • Auto Exposure Bracketing is reduced from +/- 3 stops to +/- 2.
  • Continuous frame rate is reduced to 5fps at full resolution.
  • While the Sweep Panorama mode is retained, there is no mention of the Dynamic Range Optimization and in-camera HDR functions.

Based on pre-order pricing at B&H Photo and Adorama, it looks as if the price will be very similar to the SLT-A57. This for a camera that is, in some ways, a step backwards even from the previous entry-level models. This is not to say that there are not some very nice improvements to the camera. Sony’s new continuous autofocus enhancements are exciting, and the OLED viewfinder is a really big deal.

But…

Sony is making the SLT-A57 body available at a stupid-low price, and I’m thinking that I may want to find a way to pick one up before they’re gone, or be prepared to either be disappointed or buy the much more expensive SLT-A65.

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New Sony SLT-A58 Coming Soon!

This entry is part 1 of 3 in the series Photo Equipment

The new Sony Alpha SLT-A58 offers features that blur the lines between entry-level and intermediate DSLR cameras — so much so that it’s bumped the SLT-A65 from the top of my “wish list” for an upgrade Sony camera body. Here’s a official video splash from Sony:

dpreview.com has preliminary information, as well.

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Wire on Desk

Image

Copyright (c) 2013 Geren W. Mortensen, Jr.From my iPhone.
Camera: CameraXE
Processing: Instagram
Watermark: Marksta

There was a bit of bouncing around for this one. The image started in CameraXE, a rather unremarkable camera app. Then I applied the effects in Instagram and saved the image to the camera roll, and added the watermark with Marksta. Then, I sucked the image back into Instagram for sharing.

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Power Mac

Image

Copyright © 2013 Geren W. Mortensen, Jr.

Verizon finally made Android 4 (Ice Cream Sandwich) available for my HTC Thunderbolt yesterday. Of course, a newer version of Android (4.1 Jelly Bean) is already on the streets, but at least I got some love…. Anyway, I jumped on the upgrade. It took three tries, and well over an hour for the download/installation process to complete. ICS is a pretty decent upgrade over what I had been running (2.something-or-another). One of the things that was part of the new OS was a significant upgrade to the stock Camera app. The new app includes some of the things everyone is used to in a digital camera — in camera effects and different shooting modes.

I made this image in my dark office, with the ISO set to auto, and using the new “Close Up” photo mode. I’ve got the phone setup so that camera files are automatically uploaded to my dropbox account. So, within a few seconds, the image was available on my little laptop. I opened the image in Fotor (a freebie Windows8-native photo editng app) and did a slight crop, and then added the high-contrast Lomo effect, as well as the border and watermark.

Straight from the camera, the few images I’ve taken look better — noise seems better controlled, and the focus looks better. I’ll play around with some of the new photo effects later. They look pretty well thought out.

I also re-joined Instagram, for what that’s worth.

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Bright Idea

Image

No, I didn’t take this with the new lens, or even with the SLT-A35. I don’t carry the “big kit” with me wherever I go, although I probably should. Instead, I always have at least my cell phone and often carry the little Sony DSC-WX9, which is the camera I used to make this photograph.

I found this little vase and flower arrangement sitting on the concrete ledge of the parking garage where I work. The sunlight streaming through the colored water in the bulb cast a unique pattern on the hard concrete.

This is almost straight from the camera. I did use Photoshop CS6 to enhance the edges ever so slightly, remove part of a small shed that was peeking over the edge of the ledge (content-aware patch tool is amazing), add a slight vignette (which I could have done in-camera, but didn’t), and add the watermark. The camera was in full auto mode.

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New Additions – First Impressions

Tamron 18-270mm f/3.5-6.3 DI II PZD mounted on Sony SLT-A35 ISO 400 1/500sec f10 270mm (280mm reported by camera).

All the new goodies arrived today, and I immediately popped open the box containing the new Tamron 18-270 PZD. One thing that really surprised me was the difference in size between this lens and the older version. I don’t know if the difference is because the Sony version lacks the vibration reduction, or if the newer lens overall is just smaller.

I’ve only taken a small number of test shots, but so far, the sharpness seems to be a little better than the older version and achieving focus is considerably faster. The zoom is not as smooth as the older model, but if it’s like the other Tamrons I’ve owned, it will probably smooth out after a couple days of use.

I also very quickly attached the BlackRapid RS-7 strap. Having the strap attach to the bottom of the camera is really just the right place to do it. One of my big, big gripes about traditional straps is that they’re forever ending up between my eye and the viewfinder, especially when I’m shooting a vertical. With the BlackRapid, that just plain can’t happen. Nice. And, it almost feels as if the camera is not there.

I’ll be loading up most all of the kit and caboodle over the next couple of days to see how it all works together. I am thinking that I’ll be adding a couple more items to my new “must have” list — I’d like a light-weight convertible tripod/monopod, for instance. But, look for some more comments over the next few days.

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New Lens (and then some), Lens Sale, and a Software Surprise

Tamron 18-270mm lens (reprise)

I ordered up a new Tamron 18-270mm f/3.5-6.3 DI II PZD for the Sony SLT-A35 today, along with a few other things. I wrote previously that I was pretty happy with the Sony lenses that I purchased with the camera, and I still am. But having all that range in one lens is really liberating. And, while some have complained that it’s not a sharp lens, I never had any problem in that regard with the Canon version. You can see images I made with Canon version here and here.

Hoya HMC Pro1 Neutral Density (ND) filter used...

I also ordered a new, high-quality polarizing filter and an 8-stop variable neutral density filter sized for the 18-270, and a new camera strap and camera bag.

The bag is a messenger style bag from Tenba. I’ve found over the years (and many bags) that I really prefer a shoulder bag, but want something that doesn’t look like a camera bag. If it can be a multi-purpose bag, so much the better. Tenba’s large messenger looks like it will fill that bill nicely, with space for my big laptop along with my camera gear. It has a “hidden entrance” on the top, so the inside is accessible without revealing the contents. And, it doesn’t look like a camera bag.

The strap is one that I was introduced to recently (BlackRapid RS-7), and it’s a bit of a departure as far as camera straps go. Instead of attaching to the sides of the camera, as most straps do, this one attaches to the tripod socket. There are two “stops” that control where the camera rests when it’s not in use. And the should pad is specially shaped to keep the strap from strangling the user. Hopefully, it will work as well for me as it does for the folks I’ve talked to about it.

All this fun stuff should arrive early in the week.

My next acquisitions will include a Tamron 10-24mm f/3.5-4.5 and an appropriate variable neutral density filter (I already have a perfect polarizer for it). I’m also going to be on the lookout for some good values on used Minolta Maxxum prime lenses.

Lens Sale
With new stuff coming in, a few things are going out. Donna’s keeping the Canon-mount 18-270 (at this point, I doubt I could pry it from her hands!), and a couple of lenses have already been sold. Still up for grabs are a Canon 17-85 IS, a Canon 70-300 IS and a Tokina 12-24mm f/4. Here are links to the adverts:

Canon EF-S 17-85mm f4-5.6 IS USM: http://baltimore.craigslist.org/pho/3058406966.html
Canon EF 70-300mm f4-5.6 IS USM: http://baltimore.craigslist.org/pho/3058413360.html
Tokina 12-24mm f4: http://baltimore.craigslist.org/pho/3058422386.html

Software Surprise
I’ve been telling anyone who will listen about Adobe’s Creative Cloud, and the excellent value it represents. I won’t belabor that here.

Adobe has been claiming that they’ve made the CS6 versions of their software much more efficient and much less “machine hungry”, and I’ve been impressed with the performance on both my Acer laptop with an Intel CORE i3 processor and even happier with how snappy all the applications are on my 27″ iMac with it’s i5 chip.

For giggles and grins, I thought I might try installing Photoshop CS6 on a more modest machine. I chose the most basic machine in the house, an Acer AspireOne AO722-0825 netbook. The little machine is about as minimal as you can get: 1GHz AMD C-60 dual-core processor, RadeonHD 6290 embedded video, 4GB RAM and a 320G hard drive and a 64-bit version of Windows7.

Guess what? It RUNS! Not only does it run, but it actually runs well. I haven’t loaded my various Topaz Photoshop plugins, nor have I added Photomatix yet, but at this point I’m really impressed, both with the little Acer and with Adobe’s improvements to Photoshop. This opens up the door for having “proper” image processing almost anywhere!

 

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Another Home Run For Sony

English: Sony Alpha 55 with Sony DT 18-55 mm F...

Sony Alpha SLT-A55. Image via Wikipedia

Sony has announced the replacement to the ground-breaking SLT-A55, the first of their translucent-mirror digital cameras. The A55 was rated camera-of-the-year by one of the major photo magazines when it was released, and Sony’s had a string of hits ever since. The new model, the SLT-A57, maintains or improves all the best bits of the original A55, adds a few features, and addresses a few consumer concerns.

The new camera has been built-in a larger body almost identical to the new SLT-A65, which removes the objection that many had to the older camera’s grip. That also made space for the bigger battery used in the A65 and A77. That means about 550 exposures per charge. The price has also been kept down at a price similar to the A55, about $700 for the body alone and about $800 with the 18-55mm kit lens.

So, other than the size and the model number what’s new? Continue reading